A key inspiration we found was the notorious gang led by Al Capone(1930's) and his signature dress to impress way of going about things. We immediately saw him as a great example to base the villain of our story as he ruled San Francisco with an Iron Fist which was the approach we wanted to take with our antagonist. As we built on the idea of gangs and Al Capone, we began to draw out the world in which we wanted the plot to inhabit. We then thought of well know gang-related cities, such as New York and Chicago. Although, we still believed that it would be a good idea to directly set the plot in this already existing cities. This would allow us to use existing history around them and create our own history. After that, we began to look at possible characters and started merging the ideas for Film Noir and Al Capone's empire.
We decided to use many stereotypes to convey the Film Noir aesthetic. This is going to mainly be achieved by making the video monochrome as this was conventional at the time as colour video hadn't been invented. the mind map showing our thought process is below.
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Thomas Hutchinson 1733 Claremont Fan Court School 64680 I worked with Charlie Slorick 1770 and Alexander Wain 1779 Our brief wa...
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Thomas Hutchinson 1733 Claremont Fan Court School 64680 I worked with Charlie Slorick 1770 and Alexander Wain 1779 Our brief wa...
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We viewed Delicatessen's title sequence (1991, Jean-Pierre Jeunet) and To Kill a Mocking Bird (1962, Robert Mulligen) and focused on...
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This record is about what I realized and what hardware we used when we have demonstrated the best way to utilize the Canon cameras and Manfr...
You explain the aesthetic of your proposed film clearly. Black and white has been made more mainstream since 'Roma'.
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