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Thomas Hutchinson 1733 Claremont Fan Court School 64680 I worked with Charlie Slorick 1770 and Alexander Wain 1779 Our brief wa...
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Thomas Hutchinson 1733 Claremont Fan Court School 64680 I worked with Charlie Slorick 1770 and Alexander Wain 1779 Our brief wa... -
This record is about what I realized and what hardware we used when we have demonstrated the best way to utilize the Canon cameras and Manfr... -
We viewed Delicatessen's title sequence (1991, Jean-Pierre Jeunet) and To Kill a Mocking Bird (1962, Robert Mulligen) and focused on...
Sophisticated film opening that playfully acknowledges film noir conventions through visual codes (such as detective roles, clothes and props), stylish sound codes (non-diegetic music, use of silence), subtle editing (monochrome coupled with special effects such as the cigar flare). This production is rich in detail such as three individual co-production idents (Tom's being the splendid Ignite Films), creative attention to camera angles and focus pulls, convincing settings (marina and boat), creation of local newspaper and last but not least, the hook that marks the cliffhanger at the end of the opening sequence.
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