Monday, September 23, 2019

RESEARCH: ART OF THE TITLE



The Mindhunter title sequence is very effective. The story of the opening sequence is very linear, as it only follows a single story. This makes it easier for an audience to be able to keep track of what is happening on screen without getting confused with who the characters are and who the minor characters are. The Title Sequence is a chance for the filmmaker to set the tone and prepare the audience for the world they are about to enter.

The title a sequence is a person setting up an old style of audio recording hardware. This includes the diegetic sound of the hardware making creaks and the gyrating sound of metal on metal when he/she is screwing on bits of the machinery. This linear storyline avoids the addition of new characters, allowing the viewer to have a simple introduction to the new TV show. This avoids confusion and the viewer becoming overwhelmed with new and possibly irrelevant characters without even starting the show.

The use of the subliminal editing of the chilling images of rotting corpses and the dead person is very jarring. The quick-fire nature of these images helps to create a semantic field of psychological horror, as the images never stay on screen long enough for the viewer to get a good glimpse of what’s actually appeared on the screen. This could imply as to what the viewer is about to see in the episode, showing bits and pieces of the lore. This gives the viewer a brief introduction to the victim of the crime and leads them to make questions as to the significance of the corpse and the significance of the person setting up the machinery.

 Combine this with the eerie, sparse sound of the non-diegetic sound of the piano in the background. This gives the effect of the viewer's mind filling in the blanks. As the viewer can only get a split second of an image, their brain plays a part in over-exaggerating the seriousness of the images and making the images even more horrifying. The juxtaposition of the shot of the recording equipment and the corpse allows the viewer to conjure two questions: Who is the corpse, and why is there recording hardware.

The sound of the eerie piano is stereotypical of a psychological horror genre tv show. The sound of the harder-hitting keys of the piano provokes a hard cut to the frame of the corpse. This is very effective as syncing the sound to the video gives the title sequence the pace that the director is trying to give. In contrast, the pace of the person setting up the machine is much slower than the quickened frames of the corpse. At the end of the title sequence, the main title of Mindhunter appears on the screen, accompanied by a bass-filled hum of a breath. This could mean many things and the audience will generate their own questions about why it is significant. It could be indicating what the Mindhunter’s do in their jobs, the breath signalling death suggesting they are involved in, or it could present the possibility of it being the corpse’s last breath too. 

Friday, September 20, 2019

RESEARCH: Digital Storytelling

I learned from Frank Ash, the creative consultant at the BBC academy about what Digital Storytelling: how to connect with an audience through a relevant story to create suspense and anticipation. Frank devised this into a series of questions, in which you have to answer in your piece. 

When I start to plan my own Foundation work I will generate my own Top Line (an elegant sentence which will sum up the film opening to your piece) and the Big Question (what will happen next)

Frank Ash gave me guidelines to ensure i can do this successfully, which I have summarised in a comic strip using the Comic Life software, which you can see below:


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Thomas Hutchinson 1733 Claremont Fan Court School 64680 I worked with Charlie Slorick 1770 and Alexander Wain 1779 Our brief wa...